Shah Abdul Karim, a towering figure in Bengali Baul music, was born on the banks of the Kalni River in Sunamganj. His melodies, which echoed from rural enclaves to international stages, painted a vivid canvas of spirituality and simplicity. Although he penned over 1,500 songs, many were lost to time; however, his legacy continues to live on through the ones that remain.Around 15 years ago today, on September 12, 2009, Karim, revered as the “Baul king,” passed away, leaving behind a profound yet humble legacy of love and mysticism. Growing up in the flood-prone lowlands of Sunamganj, Karim’s music became a lifeline, reflecting the rhythms of waterlogged lands and the heartache of their people. His songs, simple yet profound, captured the essence of rural life, blending spirituality with raw emotion.Born into poverty in Ujan Dhol village as the only son among six siblings, Karim’s early life was steeped in hardship. He worked as a herdsman for a meagre wage of only Tk 2, finding solace in music during long days spent tending cattle. His grandfather, Nasibullah, a wandering mystic, introduced him to Baul songs, igniting Karim’s deep passion for music.At just 11 or 12, Karim was forced into adulthood, taking on various jobs to survive. For a brief period,education touched his life. A night school was established in his village during British rule, and Karim enrolled. However, rumours spread that students might be conscripted to fight in World War II, and the school was abandoned after just eight days. Though formal education eluded him, Karim continued learning from life itself. His true schooling came from the land, the people, and the experiences that shaped his existence.
